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Mary Fedden OBE, RA (British, 1915-2012)


Mary Fedden has been one of the leading lights of British Art over the last few decades, though her mature style can be traced back to the early 1950s. Her work has become increasingly distilled harmonious variations around the themes of the still life; her immediately recognisable style always has exquisite delicacy, balance, texture and colour. Though Matisse and Braque are often cited as her major influcences, she has aligned herself with colourists as diverse as Anne Redpath and Henri Hayden. Her love of Christopher Wood and Ben and Winifred Nicholson has sometimes seen her grouped with the St Ives artists, but though she has painted Cornwall, she has always primarily been based in London.

Fedden studied at the Slade from 1932 to 1936, and went on to teach Painting at the Royal College of Art from 1958 to 1964 where she was the first woman tutor to teach. She has exhibited in solo shows throughout the UK every year since 1950, including at the Redfern Gallery from 1953, the New Grafton Gallery from the 1960s, the Hamet Gallery from 1970, the Arnolfini Gallery, Bristol and at the Beaux Arts Gallery, London in the 1990s. A major exhibition of her work was held at the Royal West of England Academy in 1996. She has also received many mural commissions, notably the Festival of Britain (1951), the P & O Liner Canberra (1961), Charing Cross Hospital (1980) along with her husband, the artist Julian Trevelyan, and Colindale Hospital in 1985. Mary Fedden was President of the Royal West of England Academy from 1984 to 1988 and was elected a Royal Academician in the Senior Order in 1992. She received an OBE and a Doctor of Literature, Bath University in the 1990s.


Mary Fedden. A Vase of Sunflowers

A Vase of Sunflowers and moths in front of a Mediterranean building
pencil on paper
1970
signed and dated
75 x 55cm.

Provenance: Old Church Galleries, London.

A wonderful, large, finished drawing from 1970.

'The contrasts that characterise these finished drawings are like fortissimo and pianissimo in a piece of music. A highly sensitive balance is achieved between loud and quiet, mass and line, solidity and airy spaces.' (Andreae, Christopher. Mary Fedden: Enigmas and Variations, 2007: 105.

SOLD
(within bespoke oak frame/conservation mount)


Mary Fedden. Still Life with fruit

Still life with fruit
watercolour and gouache on paper
2008
signed and dated
18.5 x 21cm.

SOLD

2001-2016 Cambridge Book & Print Gallery

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